Trauma: Who is Telling Your Story?

Multiple Personality by Kamil for Trauma blog post

Have you ever been at a family gathering and someone shares a memory and, as you hear it told, you say to yourself: That’s not the way it happened! The truth is that our memory is an unreliable narrator, a literary term that describes a person telling a story who is not telling it straight. In fiction, an unreliable narrator can be a clever deceiver, as in many crime novels, an innocent lacking self-awareness, or a charming raconteur simply happy to spin entertaining tales.

The unnamed narrator in Edgar Allan Poe’s fabulously gruesome horror story, “The Tell-Tale Heart,” is mentally unstable and can’t be relied upon to give accurate information. Wuthering Heights has dual narrators, both of whom have biases about Heathcliff and company. Some unreliable narrators seem to have all their marbles, like Humbert Humbert in Nabokov’s Lolita, but when he kidnaps the precocious Lolita, we conclude he is what he says, a psychopath. In reading a book, there’s real delight in figuring out who’s lying, who’s manipulating, who’s speaking the truth—but what happens when our own psyches present us with multiple narrators, each with a different set of perceptions and interpretations of reality?

"The Tell-Tale Heart" by Virgil Finlay for Trauma blog postHow we see and react to the world is prompted by different parts of the brain. Sometimes, we act on “a gut feeling,” sometimes, we critically think through pros and cons. Both aspects of consciousness, and the spectrum of subtle and complex hues in between, are necessary for decision-making, and thus, ultimately, necessary for survival. Recent research indicates that in people who have experienced trauma and for whom survival, past or present, is an issue, the split between conflicting prompts can manifest in a split sense of self. An abused child, for instance, may exhibit paradoxical behavior, simultaneously clinging to and withdrawing from her abuser.

In her newest book, Healing the Fragmented Selves of Trauma Survivors: Overcoming Internal Self-Alienation, Dr. Janina Fisher helpfully presents a neurobiological map of early trauma’s negative effects on the communication between the right and left brain hemispheres and shows how this can lead to a lack of integration between the functions of each. This functional “splitting” can make us feel as if we have two brains, one under the direction of a traumatized part that originated in a painful experience, the other part guiding us toward normal responses to the day-to-day world.

Dr. Fisher has observed that many of her trauma clients speak of being “hijacked” by responses triggered by memories or perceived threats in the present moment. She writes:

“Characteristically, while the going on with normal life part tries to carry on (function at a job, raising the children, organizing home life even taking up meaningful personal and professional goals), other parts serving the animal defense functions of fight, flight, freeze, submit, and “cling” or attach for survival continue to be activated by trauma-related stimuli, resulting in hypervigilance and mistrust, overwhelming emotions, incapacitating depression or anxiety, self-destructive behavior, and fear or hopelessness about the future.”

Marci Gittleman, a psychologist in Madison, Wisconsin who works with trauma in her clinical practice, asserts: “Trauma often raises parts of ourselves, pushes other parts down, and separates parts of ourselves from each other. Recovery from trauma helps to welcome all of the different parts of ourselves into consciousness—even if we like some parts better than others!”

The traumatized “part” might be considered an unreliable narrator, pumping us with stress hormones that distort our awareness of reality. Trauma corrupts the telling consciousness that has been damaged by tragedy.

In a mindful approach to healing inner fragmentation and compartmentalization, we might acknowledge our multiple parts and discern who is telling the story (some research indicates that we are all multi-conscious rather than uni-conscious); acknowledge the source (traumatized child, veteran, shooter survivor); and ask if the information being given is valid.

Looking at fiction can help us understand how who tells the story shapes the narrative, and therefore shapes how we feel about what has happened. As we read, we might ask ourselves, who owns this story? How is reality being filtered through this consciousness (narrator)? Using one of the foundational stories of Western culture as an example of how meaning and interpretation vary with differing points of view, let’s look at different versions of the story in Genesis of the first human couple.

The Expulsion from Eden by Schnorr von Carolsfeld for Trauma blog postAdam’s version of the expulsion from Eden might include a description of the satanic snake, despair and betrayal over a temptress mate, his remorse and anger at being duped. Imagine Eve’s version as a woman pissed at taking the blame.

The same sequence of events narrated by the snake might emphasize Adam and Eve’s naiveté and the snake’s desire to wise-them-up by offering up a bite of fruit. Now imagine the story from a third teller, the archangel Jophiel, who led the couple out of paradise. His tale might be packed with the difficulties of being God’s messenger, his questioning of divine authority, his sympathy for the banished pair. Each version of the story would be accurate according to the experience of the teller, their truths part of a larger truth.

So, too, all aspects of the self, including the shameful and wounded parts, are worthy of having a voice; each deserves respect. Injury and self-harm occur when emotional pain is shunted into the borderlands of consciousness. To speak and to be heard, to be witnessed and bear witness is to shed the mantle of victimhood and embrace agency, dignity, and self-empowerment. These abstract words take on life and meaning when dramatized through characters in a story.

As an experiment in relating mindfully to the storm of conflicting impulses within us— with the goal of externalizing troublesome inner voices—try this:

  1. Grab a pen and notebook, or sit at your computer. Close your eyes and breathe. Center yourself in your body. Open your eyes and begin.
  2. With curiosity and playful creation as your guides, choose a specific troubling event in your life (you needn’t choose the most painful or difficult episode) and tell the story from your own point of view.
  3. To objectify the narrative, consider using your name in place of “I.”
  4. Now tell the same story from another person’s perspective, someone engaged in the situation, or a bystander, or even from an observing inanimate object like a tree. Use as much sensory data as possible: what is seen, smelled, touched, heard?
  5. Compare the stories. What differences do you notice? What has been emphasized or left out in each? Can you name the prevailing emotion in each story? What feelings come up as you read them? What have you learned?
  6. Take 15 minutes to write your responses beneath the stories.

Walt Whitman portrait for Trauma blog postThe influential and ground-breaking American poet and essayist Walt Whitman wrote:

Do I contradict myself?
Very well then I contradict myself,
(I am large, I contain multitudes.)

Elsewhere, Whitman wrote,

Stop this day and night with me and you shall
possess the origin of
all poems . . .

You shall listen to all sides and filter them
from your self.

In healing from trauma, we might take our cues from this great poet by gathering our inner tribe, including the exiles, and validating their worth.

Psychologist Gittleman offers hope:

“I think of trauma like a perfect storm—it’s random, surprising, time stops, and life becomes different after the trauma from what it was before it happened. Trauma rocks the heart, body and soul—sometimes more, sometimes less, and different for you than for me. It can be hard to feel safe, and the impact reverberates into the present and future in ways that are both known and unknown—even if we decide we are not going to let it! Our best shot as survivors, however big or small the traumas, is to own our stories, and all of the different parts, over time, when we are motivated and ready, by ourselves and with others whom we have come to trust.”

This post appeared in a slightly different form on Dale’s blog on Psychology Today. You can find all of Dale’s blog posts for Psychology Today at “Transcending the Past.”

 



“Let It Go!” More than a song title, the motto for our age

Girl with Balloon by Banksy for "Let It Go" blog post

How recently did a friend, family member, pastor or therapist advise you to “just let it go?”  It’s a phrase we hear often and suggests a strategic forgetting meant to clear our hearts and minds of purposeless thoughts, ruminations, obsessions, or the painful past.

In the old days, we might use the expressions “sweep things under the rug” or “bail out,” implying a passive escape from difficulties. But letting go is something different: an act of considered disengagement; a turning away from; a conscious erasure. It can mean anything from letting something alone by not interfering with it; letting a comment or disagreeable encounter pass; dropping an argument; leaving a relationship; putting an end to obsessive thoughts, or variations on any of these.

Why have we come to embrace the concept of “let it go?” One reason is that sensory overload has put us at risk. Our nervous systems are not adapted for and can’t reasonably respond to the daily and almost constant exposure to stressors. Medical science has warned for decades that stress makes us vulnerable to chronic disease. Infection, drought, and starvation affect large populations in the developing world, but in wealthy countries conditions such as chronic fatigue syndrome, adrenal fatigue, cancer, heart and autoimmune disease prevail. The evidence is not yet in on just how stress relates to these conditions, or how the emotional crises of worrying about a relationship might have different biological consequences than, say, living with famine. Not all stress results in the same afflictions, and some existential conditions such as living with natural disasters are not easily amenable to psychological intervention or techniques. However, the lucky among us can alter our internal and external environments enough to reduce the level of stress we experience.

Queen Else on Let It Go music for "Let It Go" blog postIt makes perfect sense that in our technologically advanced world, we have adopted the philosophy of letting go. Tellingly, in the Disney movie Frozen the song princess Elsa belts out with exactly that title has achieved massive popularity:

“Let it go, let it go
And I’ll rise like the break of dawn
Let it go, let it go
That perfect girl is gone
Here I stand in the light of day
Let the storm rage on!
The cold never bothered me anyway.”

(From “Let It Go,” music and lyrics by Kristen Anderson-Lopez and Robert Lopez)

The song is not just a catchy melody. It speaks to a wide audience of young girls and women hungry for images of female empowerment, self-acceptance, and resilience. Its message reaches beyond gender concerns. It celebrates the shedding/letting go of culturally defined roles and expresses the exhilaration of discovering one’s true self. Letting go in this sense is liberation from stereotypical norms, a revelation rather than an erasure.

Photo of Frank Hurley and Ernest Shackleton for "Let It Go" blog postBut wait! Letting it go hasn’t always been the model for handling difficult situations. Way back when, popular culture encouraged a stoic attitude exemplified by rugged individualism embodied by tough hombres. Legendary characters like Paul Bunyan or real figures like Teddy Roosevelt, Charles Lindbergh, or the polar explorer Ernest Shackleton depicted a heroic ideal. Their virtue lay in handling the unpredictable with a cool head and dispassionate heart. Humphrey Bogart, John Wayne and Gary Cooper and actors that resembled them reflected this mythic masculinity on screen.

American stoicism was not about letting it go, but rather about duking it out and winning. The idea was that character is built by a kind of gritty endurance, a soldiering on that meant one accepted what life offered, including the hardships and suffering. To be anything less was degrading, a basic weakness. The archetype was male and white, but tough dames like Bette Davis, Barbara Stanwyck, and Joan Crawford exhibited their own brand of true grit. Instead of “just let it go,” Americans embraced slogans like, “Buck up, cowboy.” Even in girls’ locker rooms posters declared: “When the going gets tough, the tough get going.”

We now live in a different century. Not only have our expectations about the world altered, the planet itself and the societies on it are continually transforming. The rapidity of change we experience in our daily lives means that we face many more challenges to inner and outer stability. We live with a surfeit of stress. How do we cope? “Let it go” has become the motto for our times.

But letting go is not a process for sissies. It requires self-awareness, discernment, and the courage to face and acknowledge the difficulty at hand. Dr. Rick Hanson, a psychologist with an interest in meditation, neuroscience and the investigation of human emotions, offers some practical suggestions about how to “let go” on his helpful and informative website:

Monarch Butterfly sequence for "Let It Go" blog post“Step back from your situation, from whatever it is that you’re attached to, and try to hold it in a larger perspective. Get some distance from it, as if you’re sitting comfortably on a sunny mountain looking down on a valley that contains this thing you’ve been holding onto. Exhale and relax and listen to your heart: What’s it telling you about this attachment? Are the conditions truly present to have it come true? Is it worth its costs? Is it simply out of your hands, so that your own striving – however well-intended, skillful, and honorable – just can’t make it so? You get to decide whether it’s best to keep trying, or time to let it go. Be with these reflections – perhaps sitting quietly with a cup of tea, or in some place that is beautiful or sacred to you – and let their answers sink in.”

Neuroscientist Linda Graham’s book, Bouncing Back: Rewiring Your Brain for Maximum Resilience and Well-Being, likewise addresses the brain’s ability to grow and change in response to experience. Moving from a negative to positive emotional state requires that we redirect our stress responses by consciously practicing ways to calm our over-stimulated brain. Dr. Graham draws on her twenty years of experience as a psychotherapist to offer a series of experiential exercises designed to build skills in “relational intelligence, somatic (body-based) intelligence, emotional intelligence, reflection and choosing options, and the deep wisdom of simply being.”

“Researchers have found that people who exhibit high degrees of response flexibility also exhibit high degrees of resilience. Flexibility in the neural circuitry of the prefrontal cortex allows them to vary their responses to life events depending on their judgment of what will work best now, not simply on what has worked before. Response flexibility is the essential neural platform from which we can choose to cope differently, more adaptively, and more resiliently. It is the neurobiological basis of resilience.”

Along similar lines, Dr. Richard Davidson, one of the world’s foremost researchers on brain plasticity, links the ability to let go of negative ideation as one of the key aspects of resilience. He identifies two parts of letting go: the physical and the mental and finds an interesting distinction in how Cognitive Behavioral Therapy and Acceptance and Commitment Therapy approach letting go:

“In CBT (Cognitive Behavioral Therapy) the emphasis is on changing negative or unhelpful beliefs, but in other approaches you don’t need to go so far. In Acceptance and Commitment Therapy or ACT, it’s enough to create this space in the way I’m describing here. In ACT the process is known as cognitive defusion.

Cognitive defusion is an aspect of acceptance, which just means letting go of internal struggle or resistance. This is acceptance in a positive sense, not just resignation – so for example, forgiveness is a kind of acceptance.”

Bust of Marcus Aurelius for "Let It Go" blog postLast, in researching this blog, I discovered a website called The Daily Stoic. Founded in Athens in the third century B.C., stoicism was a persuasive ancient Hellenistic philosophy whose most famous proponents were Seneca and Marcus Aurelius. One tenet of stoicism taught that self-control, reason, and fortitude could overcome destructive emotions. The Daily Stoic endeavors to make stoicism relevant to a modern audience and to serve “as a source of much-needed strength and stamina” during our difficult times. While modern stoicism may sound like the old “buck up” philosophy, it favors reliance on reason and self-control, which includes making choices (and letting go of unproductive attitudes) about how to attain a happier life.

To live in the twenty-first century is to live with a lot of noise, both inner and outer. Luckily, our minds are hospitable places that can grow and adapt to changing circumstances. But like all sentient beings, our physical resources are limited. When beset by the “too muchness” of life, we don’t have to choose between knuckling through or letting go. Knowledge is our friend, and flexibility may prove to be our most important skill.

This post appeared in a slightly different form on Dale’s blog on Psychology Today. You can find all of Dale’s blog posts for Psychology Today at “Transcending the Past.”